Landscape Photography: Five Tips Beginners Should Ignore

Beginning landscape photographers often encounter a plethora of advice, some of which can be counterproductive. Adam Matthews, an outdoor photographer based in Chicago, Illinois, shares insights on five common tips that he believes are better ignored by newcomers to the field. His reflections aim to help aspiring photographers focus on what truly enhances their craft rather than getting lost in conflicting guidance.

Understanding the Purpose of Photography

Many beginners enter the world of landscape photography with a genuine love for nature. Yet, they often find themselves inundated with suggestions that the photo itself is not the primary goal. This notion can feel confusing and even dismissive. While some photographers find meaning in simply enjoying the experience outdoors, others may feel pressured to produce compelling images. Matthews emphasizes that the purpose of any outing is valid, whether it revolves around capturing stunning photos or simply savoring the moment.

As beginners, photographers are still exploring what constitutes “good” photography. The advice to develop a distinct style can sidetrack them from discovering their individual preferences and interests. While a recognizable style may be beneficial for commercial work or social media, it is not essential for hobbyists. Beginners should prioritize experimentation over confinement to a specific aesthetic.

The Misconception of ‘Story’ in Landscape Photography

Another common piece of advice relates to the importance of storytelling within landscape photography. Matthews points out that many who promote this idea fail to clarify what “story” means in this context. In landscape photography, the essence of a picture might simply be the beauty of the scene or the tranquility of a moment. Rather than forcing a narrative, he suggests that beginners focus on capturing what genuinely resonates with them.

Many photographers encounter a strong bias against certain technical aspects, such as aspect ratios. Some professionals claim that using the 2:3 ratio is lazy, which can limit a beginner’s creativity. Matthews argues that while aspect ratio can influence mood and meaning, how a photographer chooses to frame their shot should be a personal decision. With modern cameras offering high resolutions, cropping should not be a source of anxiety.

The perception of light as “good” or “bad” poses another limitation for novice photographers. While sunrise and sunset light are often praised for their aesthetic qualities, Matthews cautions against disregarding other lighting conditions. Each type of light has its unique characteristics that can enhance different aspects of a scene. He encourages photographers to learn how light interacts with their surroundings without adhering to rigid classifications.

Ultimately, Matthews believes that photography is filled with well-intentioned but sometimes restrictive advice. As photographers gain experience, they will learn to discern which recommendations contribute to their growth and which merely impose unnecessary constraints. For those embarking on their photographic journey, it is crucial to approach advice with an open mind and a willingness to experiment.

Photography should be a personal exploration, and the lessons learned along the way can significantly shape a photographer’s identity. Matthews invites readers to reflect on the advice they received at the onset of their journeys and to recognize that personal growth often comes from understanding what resonates with them in their craft.