Deborah Silver Shines with the Count Basie Orchestra on ‘Basie Rocks’

Deborah Silver has launched her latest album, ‘Basie Rocks’, featuring the renowned Count Basie Orchestra. Released on March 15, 2024, this project is a dynamic reinterpretation of classic rock tunes infused with a big band jazz sensibility. Silver aims to create an uplifting musical experience, moving away from the often melancholic interpretations common in the Great American Songbook.

The album includes a notable cover of The Beatles’ “A Hard Day’s Night,” which highlights Silver’s ability to elevate popular music. While some may have preferred “Hey Jude” for its emotional depth, Silver’s choice reflects her motto to “take a sad song and make it better.” In a music landscape filled with vocal showcases, Silver distinguishes herself by prioritizing enjoyment and fun, a theme that resonates throughout her work.

Collaborations and Unique Arrangements

The collaboration with the Count Basie Orchestra enhances the album’s appeal, featuring guest artists such as veteran Cuban trumpeter Arturo Sandoval and acclaimed jazz vocalist Kurt Elling. The opening track, a rendition of The Rolling Stones’ “Paint It Black,” sets the tone for the album, blending rock influences with a Latin beat, thanks to Sandoval’s energetic trumpet work.

Producers Steve Jordan and Scotty Barnhart, who also serves as the orchestra’s director, emphasize a rich musical experience, enlisting arrangers such as John Clayton and Andy Farber. Each track is meticulously crafted, often featuring special guests or soloists, ensuring a vibrant listening experience. For instance, Farber’s arrangement of “Tainted Love” starts with a minimalist backing of bass and finger snaps before building into a full orchestral sound, reminiscent of Peggy Lee’s classic “Fever.”

Silver’s creativity shines in her interpretation of Elton John’s “Bennie and the Jets.” Rather than delving into the song’s enigmatic lyrics, she embraces the playful nature of the tune, delivering an infectious performance that encourages listeners to dance rather than analyze.

A Diverse Range of Influences

The album also includes “Old Time Rock and Roll,” featuring trombonist Wycliffe Gordon, who adds a unique touch to the arrangement, which begins by mimicking the sound of vintage records. Gordon’s dynamic presence, along with his ability to blend various instruments, enhances the overall richness of the performance.

A surprising highlight is the duet of “Joy to the World” with Trombone Shorty. Initially viewed as a song meant for collective audience participation, Silver transforms it into a captivating duet that showcases her vocal prowess alongside Shorty’s energetic trombone.

In a notable departure from traditional arrangements, Bill Frisell joins on “Fly Like an Eagle,” where the blending of rock and jazz elements creates a unique sound that defies genre boundaries. Despite its divergence from the Basie style, the track exemplifies Silver’s ability to incorporate diverse influences seamlessly.

The album also features two Paul McCartney songs, including the bluesy “Hard Day’s Night” and the introspective “Band on the Run.” Silver holds her own alongside prominent artists like Elling and Gordon, ensuring her presence remains at the forefront of each track.

The album concludes with a lively rendition of Joe Walsh’s “Life’s Been Good.” Here, Silver maintains her spotlight amidst impressive solos from saxophonist Doug Lawrence and trombonist Mark Williams, demonstrating her versatility and the strength of the ensemble.

In summary, ‘Basie Rocks’ stands out as a testament to Deborah Silver’s ability to fuse classic rock and big band jazz. By collaborating with the Count Basie Orchestra and various guest artists, she creates a vibrant musical journey that invites listeners to celebrate rather than mourn. Silver’s commitment to delivering joy through music is evident, making this album a noteworthy addition to her discography.